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  • Join us for Sky Yard Sundays complete with brunch, booze + a ton of fun in the Sun(day).

    Make your weekend last longer with Drake's Sky Yard party and fuel up with a late brunch or refreshing Coronas; to ensure that you can dance all day to the sounds of our weekly live DJs from 4PM-8PM.

    • Venue: Sky Yard
    • Type: DJ
    • Cover: FREE
    • Time: July 27, 2014, 4 p.m.
  • Cozy up on our café patio + get cracking on a hearty one-pound lobster feast with all the fixings for just $36.95.

    While enjoying your lobster feast, wet your whistle with a cold bottle of Corona. Each lobster is paired with favourites from Chef Darren Glew including Mexican corn, smoked potato salad, coleslaw, jalapeño cheddar biscuit, hot butter and finish off with a 'fool in a jar' (chocolate-cream, custard + cake).

    Bibs + lobster crackers included.

    All reservations are pre-paid. Book your spot by giving us a shout at 416. 531. 5042 ext. 1 or drop us a line.

    • Venue: Café
    • Type: Foodie
    • Cover: $36.95 (plus tax + gratuity)
    • Time: July 27, 2014, 7 p.m.
  • Get your hands dirty every 86D Monday night with some artful food fun:
    Be a guest judge in one of our competitive cook-offs, get creative with some do-it-yourself food art or sit back + sip a pint as sharp + sassy host Ivy Knight takes your taste buds on a gastronomical mystery tour.

    Join the 86D crew tonight to discover the wildest Jello creations, from the city's most creative chefs.

    • Venue: Lounge
    • Type: Foodie
    • Cover: FREE
    • Time: July 28, 2014, 8 p.m.
  • Elvis Monday is Toronto's longest running indie showcase. Now in its 30th year, at least 3000 bands have played Elvis Monday including Cowboy Junkies, Blind Melon, Treble Charger, Lights, Sum 41, Three Days Grace, Billy Talent, Austra, Peaches, Diana, JackSoul, Ron Sexsmith, Doldrums, Moon King, and BECK! Acting as a launching pad for many Toronto bands, Elvis Monday continues to champion emerging talent and play an important part of Toronto's music scene.

    • Venue: Underground
    • Type: Live
    • Cover: FREE
    • Time: July 28, 2014, 9 p.m.
  • The St. Royals are the new kings of the motown/funk/soul scene. Recently featured on Slice TV, they're an army of Toronto's most talented young players who always pack the dance floor. The St. Royals ooze style and swagger, while bringing authenticity and excitement to the soul era. Most of all, they bring the funk!

    • Venue: Lounge
    • Type: Live
    • Cover: FREE
    • Time: July 28, 2014, 10 p.m.
  • PHOX is a bunch of friends from the Midwestern circus hamlet, Baraboo, WI, a place where kids often drink poisoned groundwater and become endowed mutants. They make music that straddles Feist and Monty Python. It was in Baraboo that the six unlikely musicians attended high school together, some playing on the soccer field, others on video production sets. But in a town with a drive-your-tractor-to-school day, they didn't last. They did the thing that most people do when they are 18: they fled the coop, each going their separate ways (to film school, cosmetology school, a job with Homeland Security…). But promises were made that couldn't be kept, and as they fell in unrequited love and lost their respective jobs, in spite of themselves, each simultaneously pulled the ripcord and came home. The sextet promptly (-ish) got a house together in the Portland of the heartland, Madison, WI. As prolifically documented in their online video series, PHOX rekindled their onetime A/V production house while discovering how to live as a family (i.e. how not to berate each other about the hair in the sink). After two years of cohabiting, PHOX beheld a demo reel of bedroom-recorded music (and home movies) that made Bon Iver and The Fray recording engineer Brian Joseph blush. Donning his producer's cape (and occasional lab coat), Joseph cheer-led the band through its debut album at April Base Studios in Eau Claire, WI. Joseph's enthusiasm propelled the band through the production of more than a dozen songs that have been swimming in the think tank for two years. Mixed by Michael Brauer at Electric Lady in NYC, their debut album is a school of simple folk-pop songs swimming amidst a chaotic eddy of rock, psychedelia, and soul. If the goal here is friendship, PHOX is doing quite well. If the chosen path is blue collar pixel-pushing and church camp trust falls, they're on the way. And if their only coping mechanism is to lay down their arms and, for 30 or 45 minutes a day, shut up and listen to each other, you can't be too upset.

    • Venue: Underground
    • Type: Live
    • Cover: $10.50
    • Time: July 29, 2014, 8:30 p.m.
  • Travel back in time with three of Toronto's finest comic minds as they celebrate the ordinary and glamourize the mundane. These acclaimed, award-winning performers look back through the ages to bring you "The Greatest Improvised Scenes Ever Performed"! Made up from scratch before your very eyes! And replete with witty dialogue, commercial breaks and occasional emotional breakdowns!

    Featuring Second City alumni Matt Baram (CityTV's Seed) and Naomi Snieckus (CBC's Mr. D.) as well as Chris Gibbs (Winnipeg Comedy Festival)!

    This month, Michal Grajewski (CBC's Rick Mercer Report) joins us for our radio play! We also are just tickled to have musical guest Brandon Firla of The Rumoli Brothers! With a special appearance by Kurt Firla!

    We also have the multiple Dora Winning Waylen Miki on the keys!

    So grab a tux, a tie, a frock, a boa,and join us at THE CARNEGIE HALL SHOW!

    "The geniuses behind the Carnegie Hall Show make their high wire act look easy ... A MUST SEE"
    NNNN's - NOW Magazine

    "This show is in a class above"
    - The Torontoist's STEVE FISHER

    "Nose snorting, thigh slapping, stomach hurting, pee your pants laughing"
    - MOONEY ON THEATRE

    • Venue: Underground
    • Type: Comedy
    • Cover: $18.00
    • Time: July 30, 2014, 7:30 p.m.
  • Who, What, Where, When, Wednesdays!

    Teams of 4 or less put their random knowledge to the test as hosts Megan Griffith-Greene and Jeromy Lloyd fire off questions ranging from sporting records and celebrity scandals to geographic discoveries and culinary lingo.

    It’s only $2 to participate and the winning table gets an $80 Drake Gift Card, not to mention bragging rights! So grab a brew, enjoy a whole lot of laughs and get ready to play.

    • Venue: Lounge
    • Type: Games
    • Cover: $2
    • Time: July 30, 2014, 8 p.m.
  • Like an off-label industrial process or cult ritual conducted in the dead of night, an artery flowing open in spurts or a complex society on the verge of collapse, Neuroplasticity is both terrifying and morbidly enthralling to witness. Cold Specks has returned, two years and a world map of tours after 2012's I Predict a Graceful Expulsion. Hailed as a masterful and wholly original debut, the follow-up is radically expanded, like an announcer realising they hadn't turned on their microphone.

    The 26 year-old Canadian singer under the sobriquet Al Spx has been a byword for rare talent and depth of feeling since her arrival in late 2011. In November, in the afterglow of first single 'Holland,' she performed 'Lay Me Down,' and 'Old Stepstone' on Jools Holland. It turned into one of those shared national moments of cutlery-dropping, slack-jawed TV transfixion.

    Work on the second album began while holed up in a cottage in Wick, Somerset the following winter. "In retrospect, I probably didn't choose the most ideal season to live there," she deadpans. Neuroplasticity has since been constructed in fine layers, like a Rothko, building to a full, monolithic opacity.

    "The record was mapped out in the cottage. I was there for about three months," she says, "'A Formal Invitation', 'Old Knives' and 'Absisto' were essentially written there. They are the more unusual songs on the record. I may have been reflecting on my surroundings. Have you ever been to Glastonbury? It's a pretty fucked up place."

    The time on either side was as new and exciting as it was cruel and exhausting. Presently she was back on the road again in the UK, Europe, the US and Canada. "I relentlessly toured for the first time. Travelling constantly was an odd adjustment at first. I'd always imagined road-trips to be exciting and generally fun. I found it all to be physically and mentally draining. Between tours I was mostly attempting to re-socialise."

    The gruelling schedule has awoken her writing to the full possibilities of her ensemble. Her voice is still central but on Neuroplasticity the lights have been brought up on the instrumentation and arrangements, which are now deployed more boldly, in wider emotional registers that contend with the voice's dynamism and scope. "I've successfully overcome whatever quarter-life crisis I was having and I think the 'Cold Specks sound' (whatever that means) is fully realised," she says.

    • Venue: Underground
    • Type: Live
    • Cover: $14.00
    • Time: July 31, 2014, 8 p.m.