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  • In 2006 Doillon began writing music with friend and musician Chris Brenner. A song they wrote together, "The Girl Is Gone", was featured on the Visionaire Magazine special music issue and picture disk in 2007. Doillon sings, plays guitar, and writes lyrics; she released her first EP with Brenner, musician John Mitchell, and various artists. The album is titled Places and her first single is "I.C.U." (as in "I see you"). Doillon told Interview Magazine "I wrote that because I was desperately in love with someone that I hadn't seen and that I never saw again in my life. I wandered for months in the street looking for him." The album receives rave reviews and Doillon won the "Best Female Artist" at the 2013 Victoires de la Musique.

    • Venue: Underground
    • Type: Live, 19+
    • Cover: $20
    • Time: Feb. 17, 2016, 8 p.m.
  • Thursday February 18
    The Academy Presents...
    THE HUSTLE: Edition 14

    featuring...
    Elaquent
    http://soundcloud.com/elaquent
    Ezzy
    http://soundcloud.com/everythingezzy
    SOUL
    http://soundcloud.com/soulmusic-6
    Music by: CHARLIE

    Hosted by: Crossword

    Doors 9pm | Show 10pm | 19+ Event

    • Venue: Underground
    • Type: Live
    • Cover: $10 advance/$15 door
    • Time: Feb. 18, 2016, 9 p.m.
  • Rockyard is a Toronto based band made up of; Matt Warry-Smith, Conor Brown, Jay Sussman + Andrew Pachece.
    W/ blistering guitar riffs, soul-crushing drum grooves, thunderous bass lines, soaring vocals and provocative lyrics, you can expect Rockyard to keep the lounge pumping w/ energy all night!

    • Venue: Lounge
    • Type: Live
    • Cover: FREE
    • Time: Feb. 18, 2016, 10 p.m.
  • Show begins at 8:30 PM

    Magician & Star of Brand New TV Series "Illusions of Grandeur" - Premieres April 14th at 9:30pm ET/PT on OLN.

    • Venue: Underground
    • Type: Live, 19+, Celebration!
    • Cover: $20 adv. / $25 door
    • Time: Feb. 19, 2016, 7:30 p.m.
  • New View, the third solo album by Eleanor Friedberger, was rehearsed in the Los Angeles neighborhood of Echo Park and recorded in upstate New York. The former is a place where characters in Warren Zevon songs get clingy with their old lady while toughing out heroin withdrawal; the latter is where Bob Dylan got clingy with Robbie Robertson after flying off his motorcycle and revisiting the highway with his face. Fittingly, there's a fair amount of recovery in the songs of New View (though you won't find much in the way of smack or motorcycles). "Today I'm frozen but tomorrow I'll write about you," Friedberger sings, and much of the album seems set in that post-traumatic tomorrow, when stuff's calmed down, the figurative road rash has healed, the metaphorical junkie sweating up your mattress has finally packed his bags.
    Counting the albums she made with her brother Matthew as the Fiery Furnaces, this is Friedberger's twelfth full-length. I've been listening since the beginning, and to me New View seems like just that -- a vista that's opened up when I thought I'd seen everything Friedberger had to offer. (Then again, I believed her last album Personal Record was indeed her best to date, so maybe I'm just susceptible to album titles.) Before she entered the studio with New View producer Clemens Knieper, Friedberger made a playlist of reference songs. A live version of "Warm Love" by Van Morrison was on there, as was 80s-era Dylan, Neil Young at his most bummed out, a scattering of Robert Wyatt-era Soft Machine, and the odd gem by Slapp Happy, Fleetwood Mac, Funkadelic, et al. There are ghost notes of all of those influences on New View, but mostly you hear Eleanor Friedberger. She's never lacked confidence -- this is someone who once took a fractured nine-minute ballad about the international blueberry trade and put it across like it was "Thunder Road" -- but there's a new kind of confidence on this record. You can hear it on the warm, stately "Your Word," which holds a special lace for Friedberger. She says:
    "It was the last song I wrote for the album. I finished the lyrics with lines taken from a dream that Jonathan Rosen had about me. I stayed at a friend's house in LA who had a bunch of later George Harrison CDs-- already a huge fan, I thought I knew it all. But I heard 'Love Comes To Everyone' and it kind of blew me away. Everything I love about Harrison-- beautiful slide guitar and vocals and vaguely spiritual lyrics-- plus a weird disco thing. That was the big influence for the sound." The songs on New View were recorded live to tape with simple instrumentation: drums, bass, Wurlitzer and 12-string acoustic guitar on almost every track, courtesy of the band Icewater (Malcolm Perkins, Jonathan Rosen, Michael Rosen, Noah Hecht), with Dorian DeAngelo contributing a handful of well-placed guitar solos. Producer Knieper (son of Jurgen Knieper, the German composer whose credits include the score to Wim Wenders' Wings of Desire) gives the album a classic sound, like something that's existed forever on a record collector's shelf, wedged in with Dylan's New Morning and John Cale's Vintage Violence. For everything new about New View, it still fits comfortably in the continuity of Friedberger's work. By coincidence, Knieper's studio in Germantown, NY where the album was recorded is in a barn that was once rented by Matthew Friedberger and stored the furniture of their grandmother -- the same grandmother whose spoken word reminiscences were the basis of the Fiery Furnaces LP Rehearsing My Choir. You won't hear much of that album here, but songs like "Open Season" recall the Furnaces at their most magisterial. The wry, plainspoken "Because I Asked You" builds on the style Friedberger first polished on her solo debut Last Summer. And then there's "A Long Walk," the sun-striped finale that lends a memorable afterglow to New View. It's a sweet, aching goodbye from an album that seems full of them.

    -- SCOTT JACOBSON

    • Venue: Underground
    • Type: Live, 19+
    • Cover: $16.50
    • Time: Feb. 22, 2016, 8 p.m.
  • Dedicated to creating a new groove-based music, THE DIGS embody the unique perspective of diversity that could only come from Canada's multicultural melting pot, Toronto. To dig is to extract from the ground by breaking up earth, and The Digs are a band reaching down into the roots of American pop music and pulling up a vibrant sound that is an organically constructed embarrassment of riches.

    Ultimately, The Digs consist of close friendships built upon the love of music, and the love for one another, and it is this dedication which gives them a consistently renewed energy with each jam-packed gig, each infectious groove, each funky beat. Catch The Digs while you can!


    • Venue: Lounge
    • Type: Live, 19+
    • Cover: Free!
    • Time: Feb. 25, 2016, 10 p.m.
  • Jeanine has released acclaimed albums in both the jazz and R & B genres. Her most recent recording, 2012's ‘Live at the Drake’, showcases her talent as a powerful and passionate interpreter of classic rhythm and blues. She is also a charismatic performer with a charming stage presence sure to seduce her audience. In this age of Auto-Tune and studio trickery, it is refreshing to come across the real deal, an authentic and strong voice complemented by real musicians.
    The Jeanine Mackie Band will play 2 sets of down and dirty, vintage R&B. Expect sizzling renditions of classic tunes made famous by the likes of Aretha Franklin, Chaka Khan, Stevie Wonder, Marvin Gaye, Ottis Redding, Michael Jackson, and more.

    new EPK:

    https://www.youtube.com/watch?v=w6zldwIjuOE

    • Venue: Underground
    • Type: Live
    • Cover: $12 ADV/$15 DOOR
    • Time: Feb. 26, 2016, 7:30 p.m.
    • Venue: Underground
    • Type: Live
    • Cover: $15.00
    • Time: Feb. 29, 2016, 8 p.m.
  • The Lonely Hearts are a rock and roll jukebox. A high energy quartet, the Lonely Hearts have been playing together for nearly a decade; from intimate parties to maximum capacity crowds, they have kept audiences dancing from start to finish. They contain the energy and soul of a vintage rock and roll band but with an incredibly vast repertoire that ranges from early rock and roll, Motown, early punk, new wave and modern pop. Their musicianship goes far beyond their years. They pride themselves on the ability to read a crowd and use their repertoire to tailor their set in order to keep the party at a high pace.

    • Venue: Lounge
    • Type: Live, 19+
    • Cover: FREE
    • Time: Feb. 29, 2016, 10 p.m.