Filter by type
Displaying 46 - 53 of 53 listings
Dougie Boom has established himself as a staple in the Toronto scene. Having played in nearly every bar and club in the city, he's shared the stage with acts such as Chromeo, Flosstradamus, Holy Fuck, Thunderheist and countless others. With his intensive knowledge of music and experience, Dougie Boom jumps seamlessly from one genre to the next and keeps the dance floor moving.
Itzsoweezee hits the Underground for its monthly whirlwind of wall-to-wall music - prepare to dance, smile and holler. Local favorite Tom Wrecks of the Stylusts crew captains the night with a rotating cast of stellar guest DJs. With roots in the A-Trak, visuals lighting up the screens and a foot in the mainstream, these guys throw a wild and crazy night. Itzsoweezee will make it easy - so easy - to get you on the dance floor.
Get your hands dirty every Monday night with some artful food fun: Be a guest judge in one of our competitive cook-offs, get creative with some do-it-yourself food art or sit back and sip a pint as sharp + sassy host Ivy Knight takes your taste buds on a gastronomical mystery tour. Tonight we're celebrating libations with our dear friends from Field Trip Music Festival! It's a Field Trip Cocktail Competition, and the winning drink will be the official punch of the summer’s hottest music festival. Come taste the sweet beverages, and let your ears soak up musical pleasure on the side.
The Lonely Hearts are a rock and roll jukebox.
A high energy quartet, the Lonely Hearts have been playing together for nearly a decade; from intimate parties to maximum capacity crowds, they have kept audiences dancing from start to finish. They contain the energy and soul of a vintage rock and roll band but with an incredibly vast repertoire that ranges from early rock and roll, Motown, early punk, new wave and modern pop. Their musicianship goes far beyond their years. They pride themselves on the ability to read a crowd and use their repertoire to tailor their set in order to keep the party at a high pace.
A unique contrast exists within The Lonely Hearts; they give you the best of then with the youthful energy of now. They understand the importance of your event and will do everything they can to make your event as memorable and enjoyable as possible.
Having just moved to Brooklyn, singer-songwriter Nick Hakim is a New York newbie, but if his exceptional debut EP is any indication, the Washington, D.C. native is here to stay. Where Will We Go Pt. 1 is emotionally rich and runs the gamut of R&B, jazz, folk, and Motown, taking cues from greats like Marvin Gaye and Harry Nilsson. Despite subtly explicating late-night grievances of the heart and mind, Hakim's entrance into Brooklyn's music scene is one of grand proportions.
Dedicated to creating a new groove-based music, THE DIGS embody the unique perspective of diversity that could only come from Canada's multicultural melting pot, Toronto. To dig is to extract from the ground by breaking up earth, and The Digs are a band reaching down into the roots of American pop music and pulling up a vibrant sound that is an organically constructed embarrassment of riches.
Ultimately, The Digs consist of close friendships built upon the love of music, and the love for one another, and it is this dedication which gives them a consistently renewed energy with each jam-packed gig, each infectious groove, each funky beat. Catch The Digs while you can!
Meaghan Smith was coming off her 2011 Juno Award win for Best New Artist. It was for her critically acclaimed album The Cricket’s Orchestra, which had been lauded for its honest, insightful songwriting and vintage sound. Despite all this, Meaghan wanted to take a chance. She knew that she wanted to make an entirely different album; a pop record with big choruses and ambitious production – it was the best way for her to connect with more people than she ever had in the past. This meant moving outside of her comfort zone and working with new collaborators on songwriting and production. This was not going to be easy. Meaghan’s recent attempts at working with co-writers hadn’t been productive, so she wasn’t optimistic that someone else would be able to help her capture what was in her soul and turn it into big, lush pop songs.
Kiasmos is made up of Icelandic BAFTA-winning composer Ólafur Arnalds, known for his unique blend of minimal piano and string compositions with electronic sounds, and Janus Rasmussen from the Faroe Islands, known as the mastermind of the electro-pop outfit Bloodgroup. Based in Reykjavík, Arnalds used to work as a sound engineer, often for Rasmussen's other projects, where the two musicians discovered their common love for minimal, experimental music. They eventually became best friends, often hanging out in their studio, exploring electronic sounds.
After dropping several tracks and performing at select festivals throughout the years, Ólafur Arnalds and Janus Rasmussen dedicated the year 2014 to explore the area in-between Ólafur’s more acoustic, piano-based solo work and Janus’s synth-heavy electro pop, with their collaborative electronic project Kiasmos.
By focusing solely on their self-titled debut album, Ólafur and Janus have been able to combine and further develop their unique sound aesthetics to complete an album driven by their mutual love for electronic music. Made in Ólafur’s newly build studio in Reykjavík, Iceland, a majority of the album was recorded using acoustic instruments next to a variety of synthesisers, drum machines and tape delays. It features a live drummer, string quartet and Ólafur performing on the grand piano, producing an ambient, textured sound, which makes it a perfect home listen and equally danceable record. If you listen closely, you can spot them record the thumb piano, finger snapping and even the sound of the metal grinder of a lighter slowly to replace the usual electronic hi-hat sounds, giving the album a far more intimate and unique atmosphere